No Life Na Dobre I Na Zle

The Eagles and "Hotel California." Great song.


On a dark desert highway, cool wind in my hair Warm smell of
tails, rising up
-through the air Up ahead in the distance, I saw shimmering light My head
heavy and my sight Grew Grew dim
I Had to stop for the night There she
Stood in the doorway;
i heard the mission bell And I Was
thinking to myself,
'This Could Be Heaven or This Could Be Hell' Then she lit up
a candle and she show me the way There Were
voices down the corridor, I Thought I Heard
them say...

Welcome to the Hotel California
Such a lovely place (Such a lovely place)
Such a lovely face
Plenty of room at the Hotel California
Any time of year (Any time of year)
You can find it here

Her mind is Tiffany-twisted, she got the Mercedes bends
She got a lot of pretty, pretty boys she calls friends
How they dance in the courtyard, sweet summer sweat.
Some dance to remember, some dance to forget

So I called up the Captain,
'Please bring me my wine'
He said, 'We haven't had that spirit here since nineteen sixty nine'
And still those voices are calling from far away,
Wake you up in the middle of the night
Just to hear them say...

Welcome to the Hotel California
Such a lovely place (Such a lovely place)
Such a lovely face
They livin' it up at the Hotel California
What a nice surprise (what a nice surprise)
Bring your alibis

Mirrors on the ceiling,
The pink champagne on ice
And she said 'We are all just prisoners here, of our own device'
And in the master's chambers,
They gathered for the feast
They stab it with their steely knives,
But they just can't kill the beast

Last thing I remember, I was
Running for the door
I had to find the passage back
To the place I was before
'Relax,' said the night man,
"We Are Programmed to receive. Puede
check-out Any Time You Like, But You Can
never leave! "

No matter who you are and where you are, if you do not know this song have a problem with yourself: it's not something you can afford.

The group that emerged in California in the early 70's was already well known when he published the topic at hand, while his previous compilation, which included the hits from their first 4 works, is the third best selling album in history (Funny, huh?). But not until this "Hotel California" when they get their first Grammy (compared with today, where virtually gristle anyone with a catchy and a very good promotional give 7 or 8). About them has been much talk, and much has been written. Legend has it that they made a pact with the devil to achieve rapid success. In many of his songs have liked to see satanic messages, if we spin the vinyl in reverse.

As the lyrics of "Hotel California" has been dear to many readings, and it is possible that several overlap, but other interpretations are mutually exclusive. Particularly, I prefer that this letter is a complete treatise on drug addiction, and heroin in particular:

And I Was thinking to myself,
'This Could Be Heaven or this Could Be Hell 'Then she lit up
a candle and she show me the way

(And I was thinking / This could be Heaven or Hell / Then she lit a candle and showed me the way)

Puede check Out Any Time You Like, But You Can
never leave! "

(You can leave your room whenever you want / But you can never leave)

If you look you can easily find more. And if you can listen to live version, much longer than the subject of study, is simply spectacular.

On a personal level is a song we hear non-stop day and night tuned in a station that repeated and repeated a hundred items a month from December 1992 when three friends and I came up to go camping in the countryside to the town of Villanueva de la Concepción, at the foot of the Torcal. We spent two nights while trying not to hear and death by freezing. And those evening cocktails in the Sierra, based on beer, whiskey and anise ... Best of all is that 16 years later we still keep in touch.


Here I'm doing my first steps, I leave the live version. There is another, with Clapton, very good. Step

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La Guardia ... Cardinal Richelieu

to comment below some songs this group Granada. In 1987 my hands on the arch known Lp, cassette version of "Come", with his most arch-known success, which was already on vinyl single, "One thousand roads lead to you." This cassette is not abandoned, in almost no time, my walkman customized (which I lined with blue velvet backing paper) CROWN brand, size not much smaller than a brick of those without holes. This group Granada

accompanied me throughout my youth, and even today, 21 years later, I hear regularly. After that album took a couple or three years later, his third album, "When the sun shines." Stylistically, I see much in the line of "Come", that is, a melodic rock, soft, with catchy lyrics and songs performed with traditional instruments provided (two guitars, bass and drums, mostly). All topics of the two discs are very listenable and still exude freshness.

At that time falls into my hands, after searching and searching in large bins of record stores, those who were full of tapes on offer, his first work, a lot more pop than the two already mentioned, but British pop music which was made in the late 80's. Darker songs, with echoes, keyboards and a bass with a much more primary ( with some topics very much in line "Depeche Mode", so to speak). I recommend "Only She Can Be So", "Losing My Time" or "The Sphinx." For those who still today continue to believe that "Come" was his first job, I suggest you look above, a task not too difficult with today's technology, and find that other sound in the beginning of "La Guardia."

From "Come" I can not highlight an item on another. It is one of those albums that I can listen without passing or a song like that happens to me with the "English Blood" by Manolo Tena, for example.

"When the sun shines, however, even in the same line, mark a record in what he called" excessive repetition, "that is, crushing a sentence or two of the chorus, usually at the end of the song, within limits unimaginable ... really do not understand why a song should lengthen both, with successive iterations, until it reaches the 4:27 minute whether it would be even better with 3:34 minutes ... I hope someday someone explain to me why, relatively abundant in certain groups. "Autumn in the City", "The Road", the album's title track and, inter alia, "where the river" are good issues, but others clash. Of course, LP is a little "country", with use of banjo tunes and songs that remind us that American style.

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A Deluxe

was one of the musical surprises I discovered last year. Although, on a previous occasion he had heard or read the name of the artist in question was not until 2007 when, after reading in a Sunday that drew Deluxe new album after the success of his previous work, I decided to listen to that " success ", to know what it was exactly the thing.

"End of an Endless Journey" meant then one of those albums that surprise you, and you get to him almost without knowing anything about the artist, and even in that style moves. To me it's a lot of quality pop, very personal and does not fall into the mainstream. Electronic influences also very careful and only at certain times (his beginnings were with lyrics completely in English and more "techno"). Gradually, over the first 4 discs are introduced group in English songs and the melodies become more manicured, less loaded, at least for my taste. And the lyrics are aiming more and more.

After joining the Virgin label, the record that I comment is the second of three in this new stage. I love her lyrics so kept, how well they fit the music. The melodies are fantastic, well structured, without abusing the battery and using saxophones, trumpets, trombones and trumpets, which gives its own stamp and an unmistakable sound.

"songs" End of an Endless Journey "if you want to" initiate you "on deluxemanía? I love "We'll have to wait", "Butts on the Ground", "Not My First Time", "Face of Actress", "Requiem" and above all by the letter (which I leave then) I prefer " Tanto Callar, "a letter that deepens the isolation, isolation: a real poem unknown ...

"FOR BOTH CALL

say you now live in a black hole
And you've gone as snow coldest
That you do not talk to anyone
May all your days are gray ice

say that your life is not a ray of sunlight enters
have you closed your eyes when you walk
happy
dark As you can see


say
But say you do not say anything

say smile in solitude And
Evening talk on the sly
who sings and dances with mirrors
Waiting for any response time
say
say

But you do not say anything

In both silent and not say anything you

say there is an angel at the foot of your bed
That always ensures your luck
But you only see the candle at the end of the road And
calls on your deathbed say



But say you do not say anything
In both silent
You just do not say anything

say ...




Well I know you do not look, here you can say. See you soon. Thanks.

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ears to continue ... To begin


Jose Maria Sanz, Loquillo, has been in my life since age 14 I got the "Die in Springtime", my first vinyl, for kings. Songs like the title track "Gods and Gods," "Everybody Loves Isabel" or George Brassens version of "Bad Reputation" with the most dedicated "The Breakwater" or "Stolen Kisses" , for months filled the walls of my room.

were times that you had to know more gigs, and gather all possible information from newspapers and magazines (no internet, no phones, remember?). At home, music in general was not too much with my parents, so that from their advice, they sounded like Chinese. Those were times of journals mythical, some still today, some have already closed. And I was making me a composition of character, his style and his music.

Then came the "after them, they are few and Cowards" double vinyl still considered the best live English rock, and the biggest seller to date. And there I was, along with several colleagues, jumping and singing at age 16 ... 200 pts charged me within the arena for a pack of winston, to forget!. It was my first concert and, as everything is done first, then you have the feeling that you could have used more, jumped more ... but I removed it danced. enjoyed as a dwarf. And I still do, I'll go comment ... here you have "The Kill".

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The truth, both to say and not knowing where to start. First, make clear that I consider myself a music expert, those that are known to the name of the second producer of the Rolling Stones, through the guitarist's shirt size deputy who accompanied Elvis on his last leg ... I see the music (the good, the truth) and that presence that surrounds you at the beginning where you go next and finally finish a part of you in different situations and moods.

is true that many of those songs were and are being left by the wayside. Those records, those songs that once heard and listened non-stop and now, silent in their case, I look down from the shelf and I can not restore their sight.

I stand with all those other albums I started buying on tape and still hear, now in digital format. With these CDs are unexpected supply of hand and turning it a title, a song, a memory, it makes me buy it and inseparable. Us inseparable. Comment

those songs, those artists, those styles, from the respect and admiration. Develop our love for them and nurture each other in the knowledge that kind of music is what I intend to do with this, if the record let me. Welcome. Malaga, November 15, 2008.